Stone-washed khaki — the back is a full ukiyo-e style panel: a pink-haired figure in dark maid dress standing on a moonlit blue path, glowing tendrils trailing from her hands, her close-up face looming large behind the scene, Japanese text in the upper corner. The front is clean. The woodblock composition makes it feel like a piece of art rather than a print — quiet power, deeply specific. The right person will stop mid-step.